讲述一个充满忧虑的老人想拯救儿子苏哈，但他的努力无济于事。在目睹了儿子被处决后，老人带着他僵硬的尸体穿过山河，无奈地将其下葬。在这之后，疲惫的老人只得继续过着一成不变的生活，抚养孙子，并孤独地游荡在寂静的夜晚中……

Mike may always be wandering, but you’d hardly call him a man on the move. His stamping ground is modest, the strip of suburbia between his mom’s house in New Jersey and the pizza place where he works. Mike’s no great conversationalist and isn’t big on direction either, preferring to let things happen than making them happen himself. Feeding a neighbour’s dog, bumping into a friend, catching a hockey game: all just different reasons to trudge along the same wintry streets, unhurried, ungainly, alone. 　　One day, opportunity knocks. Mike bumps into his old school friend Mark, who asks Mike to take over his walking tour job and Philadelphia apartment during his trip to Poland. A change of season, a change of scene, a change of fortune? The streets Mike now wanders through are different and the sun is shining, but otherwise it’s the same old story: new people and new encounters, laced with the usual awkwardness and inertia. Ted Fendt’s charming 35 mm miniature is not quite a comedy, nor quite a drama, but rather a moral tale: a lesson on how anything that falls into your lap can just as easily fall out of it again. We can change our context, but we can’t change ourselves. berlinale 2016

Mike may always be wandering, but you’d hardly call him a man on the move. His stamping ground is modest, the strip of suburbia between his mom’s house in New Jersey and the pizza place where he works. Mike’s no great conversationalist and isn’t big on direction either, preferring to let things happen than making them happen himself. Feeding a neighbour’s dog, bumping into a friend, catching a hockey game: all just different reasons to trudge along the same wintry streets, unhurried, ungainly, alone. 　　One day, opportunity knocks. Mike bumps into his old school friend Mark, who asks Mike to take over his walking tour job and Philadelphia apartment during his trip to Poland. A change of season, a change of scene, a change of fortune? The streets Mike now wanders through are different and the sun is shining, but otherwise it’s the same old story: new people and new encounters, laced with the usual awkwardness and inertia. Ted Fendt’s charming 35 mm miniature is not quite a comedy, nor quite a drama, but rather a moral tale: a lesson on how anything that falls into your lap can just as easily fall out of it again. We can change our context, but we can’t change ourselves. berlinale 2016

留美医学硕士冯子明（林瑞阳 饰）深爱自己的妻子晓兰（萧蔷 饰），可是晓兰却背叛了他们的婚姻，和别的男人有染。发现了此事的冯子明选择离开了晓兰，返回国内，将内心紧紧封闭，把所有的精力都投入到了工作之中。 　　在医院里，冯子明邂逅了名叫如芳（岳翎 饰）的同僚，如芳的出现仿佛给冯子明苍白的世界重新染上了色彩。随着时间的推移，冯子明和如芳之间的距离渐渐靠近。就在两人感情顺利发展的节骨眼上，晓兰忽然将一个女婴带到了冯子明的身边，说这是他的骨肉，要他抚养。如芳觉得此事十分蹊跷，于是通过明察暗访，终于得知真相——晓兰已经身患绝症，命不久矣。

簧村，座落在中國最美的鄉村婺源，雖然猶如世外桃源，但因地處偏僻且缺乏規劃，與打著"理學淵源"旗號的鄰村理坑，無論在遊客人數和經濟收入上有著天南地北的差異。理坑人在自己的村裏當著導遊、開起客棧時，簧村的年輕人仍只能選擇去大城市打工，留守在村中的大都只有老人和孩子。 　　年過古稀的老伯余多富，夢想著某一天簧村能像理坑一樣成為"中國歷史文化名村"，進而改善村子的生活條件修繕包括祠堂在內的古建築，於是他自告奮勇地擔負起村委會"旅遊開發"的工作。 　　從縣城到簧村，得先坐車到清華然後再轉車。吳東清住在清華，在朋友的建議下，把自己的家改建成了家庭旅館，取名為"驢友驛站"。 　　相對於理坑，簧村輸在了地理位置與金錢；相較於吳東清，余多富輸在了文化水準與溝通。然而，他們就註定要輸嗎？ 　　Huang cun, situated in the most beautiful county in China – Wuyuan. Though the village is like a haven of peace and happiness, Huang cun is rather isolated and lacks organized tourism development plan. Other hand, its neighboring village, Likeng, which is merely famous for a first Confucian school, seems to attract all the attention and obtains a noticeably different amount of tourists and the income from the tourists. Compared to Likeng, Huang cun does not have location, and neither financial resources; compared to WU Dong-qing, YU Duo-fu lack education and tools for communication. However, are they destined to lose?

It doesn't look spectacular at first. Two boys each talk separately about their experiences. In the end also on the sexual level. In the end they are also in the room together. In the end they don't leave it at talking. Remember that homosexuality on film is banned in Thailand and so this film maker has been very daring. 　　Europeans on sex holidays to Thailand and transvestites who work in tourist areas may give a different impression, but this country is far from liberal in regard to homosexuality. A candid film maker like Thunska Pansittivorakul is therefore sure to come into contact with censorship sooner or later. So anyone who wonders why the two kids in this film keep their pants on right up to the end now knows the answer. 　　That doesn't mean that Pansittivorakul is prudish or cautious. You can only call him courageous and maybe even a little obsessed. Sex, gay sex, is his major theme and he has talked plenty of boys out of their clothes for his films. 　　And he has a very outspoken opinion about other things. The film pointedly tackles several Thai political incidents. These subjects may not be hot off the press, because it took the maker three years to complete the film after it was shot. 　　The documentary film shows two boys in a hotel room. First they are questioned individually. The first is a Moslem boy from the South. He is asked about politically and personally sensitive issues. He is then followed by a Buddhist boy from the North. Then they are observed chatting together and finally making love.

Tony, a visiting Italian, meets Oscar in a Copenhagen bar. What seems like a one-night stand becomes more complicated and the two men form a fragile friendship based on mutual loneliness.

Tony, a visiting Italian, meets Oscar in a Copenhagen bar. What seems like a one-night stand becomes more complicated and the two men form a fragile friendship based on mutual loneliness.

Ellen DeGeneres performs her comedy-concert live on stage and taped for HBO.